This book explains music's comprehensive ontology, its way of existence
and processing, as specified in its compact characterization: music
embodies meaningful communication and mediates physically between its
emotional and mental layers. The book unfolds in a basic discourse in
everyday language that is accessible to everybody who wants to
understand what this topic is about. Musical ontology is delayed in its
fundamental dimensions: its realities, its meaningful communication, and
its embodied utterance from musical creators to an interested audience.
The authors' approach is applicable to every musical genre and is
scientific, the book is suitable for non-musicians and non-scientists
alike.