Algeria Cuts discusses the figure of woman, both under colonial rule
in Algeria and within the postcolonial independent nation-state. It is
an interdisciplinary project that spans fine art, film, colonial and
legal policy, manifestos, prose fiction, and theoretical and
philosophical texts concerning the relationship between France and
Algeria. Khanna investigates gendered representation, identification,
and justice, and in the process, calls into question the ways in which
conventional disciplinary frameworks foreclose certain avenues of
reflection while foregrounding others. Algeria Cuts seeks to
understand Algeria and Algerian women as a philosophical site that
facilitates an understanding of justice and the pursuit of feminism.