Since the release of his first feature (Tesis) in 1996, Alejandro
Amenábar has become the 'golden boy' of Spanish filmmaking, its 'King
Midas' - a bankable star director - whose brand virtually guarantees
quality, big audiences and domestic box office success. He has directed
three of the biggest grossing movies in Spanish film history and has
enjoyed enormous international and critical acclaim (including an Oscar
for Best Foreign Film for Mar Adentro/The Sea Inside, 2004). Having
eclipsed Almodóvar, he now stands at the apex of the Spanish film
industry and is widely regarded as Spain's best international director.
This book seeks to explain how and why this happened.
With Alejandro Amenábar, Jordan provides the first full-length study in
English of Amenábar's shorts and feature films. Known for his
spectacular imagery, sophisticated editing, memorable sound-tracks and
challenging subject matter, Jordan shows how Amenábar makes a serious
and socially aware, exportable 'middlebrow' cinema, designed for global
audiences. There is also a detailed analysis of his engagement with
popular film genres as the basis for an auteur cinema, and Jordan
incorporates a reappraisal of Amenábar's auteurism as fundamentally
decentred and shared.
The book will be an essential resource for teachers, students, scholars
and fans of Amenábar. It will also appeal to a wider readership, such as
those who work in the film, media and culture industries as well as
those who have a general interest in the best of Spanish, European and
World cinema.