The music of Alec Wilder (1907-1980) blends several American musical
traditions, such as jazz and the American popular song, with classical
European forms and techniques. Stylish and accessible, Wilder's musical
oeuvre ranged from sonatas, suites, concertos, operas, ballets, and art
songs to woodwind quintets, brass quintets, jazz suites, and hundreds of
popular songs. In this biography and critical investigation of Wilder's
music, Philip Lambert chronicles Wilder's early work as a part-time
student at the Eastman School of Music, his ascent through the ranks of
the commercial recording industry in New York City in the 1930s and
1940s, his turn toward concert music from the 1950s onward, and his
devotion late in his life to the study of American popular songs of the
first half of the twentieth century. The book discusses some of his
best-known music, such as the revolutionary octets and songs such as
"I'll Be Around," "While We're Young," and "Blackberry Winter," and
explains the unique blend of cultivated and vernacular traditions in his
singular musical language.