This book explores the role of alchemy, Paracelsianism, and Hermetic
philosophy in one of Shakespeare's last plays, The Winter's Tale. A
perusal of the vast literary and iconographic repertory of Renaissance
alchemy reveals that this late play is imbued with several topoi,
myths, and emblematic symbols coming from coeval alchemical,
Paracelsian, and Hermetic sources. It also discusses the alchemical
significance of water and time in the play's circular and regenerative
pattern and the healing role of women. All the major symbols of alchemy
are present in Shakespeare's play: the intertwined serpents of the
caduceus, the chemical wedding, the filius philosophorum, and the
so-called rex chymicus. This book also provides an in-depth survey of
late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in
the Elizabethan and Jacobean ages. Importantly, it contends that The
Winter's Tale, in symbolically retracing the healing pattern of the
rota alchemica and in emphasising the Hermetic principles of unity and
concord, glorifies King James's conciliatory attitude.