Editors Henry Louis Gates Jr. and Paul Devlin present a definitive
edition of Albert Murray's collected nonfiction, including his 1971
memoir South to a Very Old Place, inspiration for Imani Perry's South
to America.
In his 1970 classic The Omni-Americans, Albert Murray (1916-2013) took
aim at protest writers and social scientists who accentuated the
"pathology" of race in American life. Against narratives of
marginalization and victimhood, Murray argued that black art and
culture, particularly jazz and blues, stand at the very headwaters of
the American mainstream, and that much of what is best in American art
embodies the "blues-hero tradition"-- a heritage of grace, wit, and
inspired improvisation in the face of adversity. Murray went on to
refine these ideas in The Blue Devils of Nada and From the Briarpatch
File, and all three landmark collections of essays are gathered here
for the first time, together with Murray's memoir South to a Very Old
Place--inspiration for Imani Perry's South to America, his brilliant
lecture series The Hero and the Blues, his masterpiece of jazz
criticism Stomping the Blues, and eight previously uncollected pieces.
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