A key text of Cubism from the movement's foremost theorist, in unique
dialogue with the Bauhaus
French artist and theorist Albert Gleizes (1881-1953) wrote his
influential essay on Cubism in 1912 in the aftermath of the Salon
d'Automne exhibitions. In the new century, artists continued to subvert
the already rapidly changing conventions of representational painting
with a particular focus on form. Gleizes, aided by fellow artist Jean
Metzinger, composed a treatise on the relatively new artistic movement
in the hopes of convincing their audiences that Cubism was an
unsubsidized pursuit with genuine intentions. Though Gleizes was never
officially a member of the school, Bauhaus greats László Moholy-Nagy and
Walter Gropius promoted his text as a companion piece to their other
Bauhaus publications to emphasize the school's international context.
As part of the publisher's ongoing Bauhausbücher series, Lars Müller
has released a facsimile edition of Gleizes' text translated into
English with the original design and typography.