Since its formation as a girl group in 2005, AKB48 has become a
phenomenal success and institution in Japan. Having originally recruited
fans with photocopied fliers and daily performances in the Akihabara
area of Tokyo, AKB48 now saturates Japan. Its members--nearly 800 of
them, including five sister groups and four so-called rival groups
across Japan, as well as six sister groups in other Asian cities--appear
in print, broadcast, online, and social media; in advertisements and on
products; at home and on the train; on- and off-screen.
AKB48's multi-platform omnipresence is characteristic of idols, whose
intimate relationship to fans and appeals to them for support have made
the group dominant on the Oricon Yearly Singles Chart in the 2010s; they
hold several records, including most consecutive million-selling singles
sold in Japan. A unique business model relentlessly monetizes fans'
affections through meet-and-greet events and elections, which maximize
CD sales, and their saturated presence in the media. At a time when
affect is more important than ever in economic, political, and social
theory, this book explores the intersection of idols and affect in
contemporary Japan and beyond.