This book explores the value of the musical concept of "agogics" - the
modification of regular rhythm to enhance expressive potential - in
understanding urban spatial configurations within the current
technological context and in developing urban maps that exploit sonic
signals to create an open learning framework. The book starts by
discussing the meaning and significance of agogics in the musical and
artistic realm, with reference to the work of Adolphe Appia,
Emile-Jaques Dalcroze, and Iannis Xenakis, among others. Its relevance
to cartography and mapping is then examined, taking into account the
contributions of Ian McHarg, Bill Hillier, Mark Shepard, and Robin
Minard. The nature and value of agogic maps, for example in fostering
awareness of place and effective organization of spatial development,
are described in detail, with reference to case studies in Dar es
Salaam, Tanzania and Segrate, Italy. It is explained how agogic maps
take advantage of innovative categories and scripting equipment to
provide a new mapping instrument for spatial and urban configurations,
highlighting the interdependence between aural signals and spatial
variables. This book will be of interest to architects, urbanists, and
musicians with a specific interest in space and sound design.