A critique of the discourse on the Anthropocene and the creative
alternatives to it to be found through the arts, sciences, and
humanities.
Addressing the current upswing of attention in the sciences, arts, and
humanities to the new proposal that we are in a human-driven epoch
called the Anthropocene, this book critically surveys that thesis and
points to its limitations. It analyzes contemporary visual
culture--popular science websites, remote sensing and SatNav imagery,
eco-activist mobilizations, and experimental artistic projects--to
consider how the term proposes more than merely a description of
objective geological periodization. This book argues that the
Anthropocene terminology works ideologically in support of a neoliberal
financialization of nature, anthropocentric political economy, and
endorsement of geoengineering as the preferred--but likely
disastrous--method of approaching climate change. To democratize
decisions about the world's near future, we urgently need to subject the
Anthropocene thesis to critical scrutiny and develop creative
alternatives in the present.