When Henry Luce announced in 1941 that we were living in the "American
century," he believed that the international popularity of American
culture made the world favorable to U.S. interests. Now, in the digital
twenty-first century, the American century has been superseded, as
American movies, music, and video games are received, understood, and
transformed.
How do we make sense of this shift? Building on a decade of fieldwork in
Cairo, Casablanca, and Tehran, Brian T. Edwards maps new routes of
cultural exchange that are innovative, accelerated, and full of
diversions. Shaped by the digital revolution, these paths are entwined
with the growing fragility of American "soft" power. They indicate an
era after the American century, in which popular American products and
phenomena--such as comic books, teen romances, social-networking sites,
and ways of expressing sexuality--are stripped of their associations
with the United States and recast in very different forms.
Arguing against those who talk about a world in which American culture
is merely replicated or appropriated, Edwards focuses on creative
moments of uptake, in which Arabs and Iranians make something
unexpected. He argues that these products do more than extend the reach
of the original. They reflect a world in which culture endlessly
circulates and gathers new meanings.