This volume takes as its starting point an interrogation of the African
contributions to the Globe to Globe Festival staged in London in 2012,
where 37 Shakespeare productions were offered, each from a different
nation. Five African companies were invited to perform and there are
articles on four of these productions, examining issues of
interculturalism, postcolonialism, language, interpretation and
reception. The contributors are both Shakespeare and African theatre
scholars, promoting discourse from a range of geographical and cultural
perspectives. The playscript in this volume of African Theatre is Femi
Osofisan's Wesoo, Hamlet! or the Resurrection of Hamlet.