In African drum ensembles, a musician establishes a time line which
establishes the points of entry for the different instruments. So the
player must know the role of the particular instrument in the totality,
and also the rhythm or rhythms assigned to it and precisely where they
fit into the music. Opportunities to learn and appreciate drumming is
limited in contemporary contexts, and it is against this background that
the International Centre for African Music and Dance at the University
of Ghana has embarked on this project aimed at making African drum music
accessible to a wider public in the form of musical scores, audio and
video recordings. Although essentially cultivated and practiced by oral
tradition, the value of transcriptions is not disputed by African
musicians. The three titles in the series cover different types of drum;
and each gives information on performance practice and instruments, the
full score of the work, vertical alignment and bibliography.