African Dream Machines takes African headrests out of the category of
functional objects and into the more rarefied category of 'art' objects.
Styles in African headrests are usually defined in terms of western art
and archaeological discourses, but this book interrogates these
definitions of style and demonstrates the shortcomings of defining a
single formal style model as exclusive to a single ethnic group.
Among the artefacts made by southern African peoples, headrests were the
best known. Anitra Nettleton's study of the uses and forms of headrests
opened up a number of art-historical methodologies in the attempt to
gain an understanding of form, style and content in African art objects.
Her drawings of each and every headrest encountered become a major part
of the project.