A landmark work in the study of Black theater and drama, African
American Theatre offers the first comprehensive history of a major
cultural phenomenon until now too often neglected. In this fast-paced
investigation, Hay seeks out the origins of Black theater in social
protest, as envisioned by W.E.B. Dubois, and as a formal branch of arts
theater. Divided between these opposing forces--the activist and the
artistic--Black theater, Hay argues, faced conflicts of identity whose
traces still haunt the medium today. African American Theatre thus
offers a means of locating Black theater in the larger context of
American theater and in the continuum of African American history from
the nineteenth century to the present--and in doing so offers a profile
of dramatic expression shaped and scarred by the forces of repression,
of self-affirmation, and of subversion. Sweeping in scope, original in
approach and provocatively written, this important book mines the
origins and influences directing Black theater, while charting a course
for its future survival.