In this short book, the leading German cultural critic Diedrich
Diederichsen puts forward a fresh and original account of pop music. He
argues that pop music is not so much a form of music as a constellation
of different media channels, social spaces and behavioural systems, of
which music is only a part. Its own logic of attraction is based less on
compositions and the expression of subjectivity and more on
indexicality, real or pseudo-involuntary effects as recorded by sound
technologies, and on studio discipline and staging, and hence on
performance.
By elaborating his innovative account of pop music as a constellation,
Diederichsen develops a theory that distinguishes itself from sociology,
cultural studies, media studies and ethnography, while at the same time
drawing on and encompassing them all.