Advertising has played a central role in shaping the history of modern
media. While often identified with American consumerism and the rise of
the 'Information Society', motion picture advertising has been part of
European visual culture since the late nineteenth century. With the
global spread of ad agencies, moving image advertisements became a
privileged cultural form to make people experience the qualities and
uses of branded commodities, to articulate visions of a 'good life', and
to incite social relationships. Abandoning a conventional delineation of
fields by medium, country, or period, this book suggests a lateral view.
It charts the audiovisual history of advertising by focussing on objects
(products and services), screens (exhibition, programming, physical
media), practices (production, marketing), and intermediaries (ad
agencies). In this way, the book develops new historical,
methodological, and theoretical perspectives.