This book gathers together essays written by leading scholars of
adaptation studies to explore the full range of practices and issues
currently of concern in the field. The chapters demonstrate how content
and messaging are shared across an increasing number of platforms, whose
interrelationships have become as intriguing as they are complex.
Recognizing that a signature feature of contemporary culture is the
convergence of different forms of media, the contributors of this book
argue that adaptation studies has emerged as a key discipline that,
unlike traditional literary and art criticism, is capable of identifying
and analyzing the relations between source texts and adaptations created
from them. Adaptation scholars have come to understand that these
relations not only play out in individual case histories but are also
institutional, and this collection shows how adaptation plays a key role
in the functioning of cinema, television, art, and print media. The
volume is essential reading for all those interested both in adaptation
studies and also in the complex forms of intermediality that define
contemporary culture in the 21st century.