The first major monograph in sixty years on the San Francisco
modernist sculptor who developed a unique abstract style rooted in
surrealism and inspired by nature.
This beautifully produced volume celebrates the life and career of
Adaline Kent (1900-1957), a member of one of the Bay Area's most
productive and innovative midcentury artistic groups. Kent is linked to
modernist artists Ruth Asawa, Mark Rothko, Isamu Noguchi, and Clyfford
Still.
Texts by a diverse range of scholars cover such subjects as infinity and
movement in Kent's work; the influence of nature; and the diverse
artistic milieu at the San Francisco Art Institute and beyond that
surrounded Kent and her husband, artist Robert Howard.
With an extensive chronology and a wide selection of sculptures,
photographs, and rarely seen works on paper and paintings on Hydrocal,
the book substantiates Kent's achievement as one of midcentury America's
most innovative sculptors, re-excavating her work for younger
generations.