Although Adalbert Stifter (1808-68) has long been recognised as a key
figure in nineteenth-century German prose writing, his literary
reputation has been curiously volatile. This major study, first
published in 1984, was a reassessment of Stifter's work within the
context of the tradition of nineteenth-century European fictional prose.
The authors pay close attention to features of style, structure and
narrative perspective in order to suggest that Stifter's heavily
stylised prose expresses a profound and significant irresolution. On the
one hand, Stifter seeks to assert that the natural world is a divinely
ordained creation; on the other, he recognises that nature is a
self-regulating mechanism, a totality that is scientifically explicable.
Stifter emerges as a writer of European stature. This tightly organised,
lucid study will prove of interest to students of German literature and
serve as an introduction to Stifter for those who take an interest in
European prose fiction.