Actor Training in Anglophone Countries offers a firsthand account of
the most significant acting programs in English-speaking countries
throughout the world. The culmination of archival research and fieldwork
spanning six years, it is the only work of its kind that studies the
history of actor training from an international perspective. It presents
the current moment as crucial for student actors and those who teach
them. As the profession continues to change, new and progressive
approaches to training have become as urgent as they are necessary.
Using drama schools and universities as its subjects of inquiry, this
book investigates acting programs in the UK, Ireland, the US, Canada,
Australia, and New Zealand. Among the case studies are the Royal Academy
of Dramatic Art, National Theatre School of Canada, Western Australian
Academy of Performing Arts, and Carnegie Mellon University. All
recognized for their distinguished reputations by industry professionals
and acting teachers alike, the book examines each program's pedagogical
approach, administrative structure, funding apparatus, and alumni
success. In doing so, it identifies the challenges facing acting schools
today and offers a new direction for training in the twenty-first
century.
Actor Training in Anglophone Countries will be of interest to theatre
and performance scholars, artists, students, and teachers.