Abstract Expressionism is arguably the most important art movement since
the Second World War. Because the images created by such leading figures
as Jackson Pollock, Clyfford Still, Willem de Kooning, and Mark Rothko
were so extraordinary, it is often thought to have been a revolution in
painting only, but its radical spirit also encompassed David Smith's
sculpture and Aaron Siskind's photography. With other key artists such
as Barnett Newman and Franz Kline, this group was a nucleus united not
just against the tensions of American society from the 1930s onward but
also in its aim to forge a new visual language.
In this concise account, David Anfam examines the movement in terms of
its political implications and cultural context, taking into account a
wealth of recent scholarship on the subject and offering fresh insight
into the works themselves.