Shanghai, long known as mainland China's most cosmopolitan city, is
today a global cultural capital. This book offers the first in-depth
examination of contemporary Shanghai-based art and design - from
state-sponsored exhibitions to fashionable cultural complexes to cutting
edge films and installations. Informed by years of in-situ research, the
book looks beyond contemporary art's global hype to reveal the
socio-political tensions accompanying Shanghai's transitions from
semi-colonial capitalism to Maoist socialism to Communist
Party-sponsored capitalism. Case studies reveal how Shanghai's global
aesthetic constructs glamorising artifices that mask the conflicts
between vying notions of foreign-influenced modernity and
anti-colonialist nationalism, as well as the city's repressed socialist
past and its consumerist present.