Why have theorists approached narrative primarily as a form of
retrospect? Mark Currie argues that anticipation and other forms of
projection into the future are vital for an understanding of narrative
and its effects in the world. In a series of arguments and readings, he
offers an account of narrative as both anticipation and retrospection,
linking fictional time experiments (in Ali Smith, Ian McEwan, Martin
Amis and Graham Swift) to exhilarating philosophical themes about
presence and futurity. This is an argument that shows that narrative
lies at the heart of modern experiences of time, structuring the
present, whether personal or collective, as the object of a future
memory as much as it records the past.