At the heart of poetic tradition is a figure of abandonment, a woman
forsaken and out of control. She appears in writings ancient and modern,
in the East and the West, in high art and popular culture produced by
women and by men. What accounts for her perennial fascination? What is
her function--in poems and for writers? Lawrence Lipking suggests
many possibilities. In this figure he finds a partial record of women's
experience, an instrument for the expression of religious love and
yearning, a voice for psychological fears, and, finally, a model for the
poet. Abandoned women inspire new ways of reading poems and poetic
tradition.