A Finalist for the Los Angeles Times Book Prize
A new book from a poet whose work is wild with imagination, unafraid,
ambitious, inventive (Jorie Graham)
Located in a menacing, gothic landscape, the poems that comprise A
Woman of Property draw formal and imaginative boundaries against
boundless mortal threat, but as all borders are vulnerable, this ominous
collection ultimately stages an urgent and deeply imperiled boundary
dispute where haunting, illusion, the presence of the past, and
disembodied voices only further unsettle questions of material and
spiritual possession. This is a theatrical book of dilapidated houses
and overgrown gardens, of passageways and thresholds, edges,
prosceniums, unearthings, and root systems. The unstable property lines
here rove from heaven to hell, troubling proportion and upsetting
propriety in the name of unfathomable propagation. Are all the gates in
this book folly? Are the walls too easily scaled to hold anything back
or impose self-confinement? What won't a poem do to get to the other
side?