During the 1930s, the world of photography was unsettled, exciting, and
boisterous. John Raeburn's A Staggering Revolution recreates the
energy of the era by surveying photography's rich variety of innovation,
exploring the aesthetic and cultural achievements of its leading
figures, and mapping the paths their pictures blazed public's
imagination.
While other studies of thirties photography have concentrated on the
documentary work of the Farm Security Administration (FSA), no previous
book has considered it alongside so many of the decade's other important
photographic projects. A Staggering Revolution includes individual
chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's
Changing New York project; the Photo League's ethnography of Harlem; and
Edward Weston's western landscapes, made under the auspices of the first
Guggenheim Fellowship awarded to a photographer. It also examines
Margaret Bourke-White's industrial and documentary pictures, the
collective undertakings by California's Group f.64, and the fashion
magazine specialists, as well as the activities of the FSA and the Photo
League.