The Crimean War (1853-1856) was the first modern war. A vicious struggle
between imperial Russia and an alliance of the British, French and
Ottoman Empires, it was the first conflict to be reported first-hand in
newspapers, painted by official war artists, recorded by telegraph and
photographed by camera. In her new short history, Trudi Tate discusses
the ways in which this novel representation itself became part of the
modern war machine. She tells forgotten stories about the war experience
of individual soldiers and civilians, including journalists, nurses,
doctors, war tourists and other witnesses. At the same time, the war was
a retrograde one, fought with the mentality, and some of the equipment,
of Napoleonic times. Tate argues that the Crimean War was both modern
and old-fashioned, looking backwards and forwards, and generating
optimism and despair among those who lived through it. She explores this
paradox while giving full coverage to the bloody battles (Alma,
Balaklava, Inkerman), the siege of Sebastopol, the much-derided
strategies of the commanders, conditions in the field and the cultural
impact of the anti-Russian alliance.