This book presents a chronology of thirty definitions attributed to the
word, term, phrase, and concept of "documentary" between the years 1895
and 1959. The book dedicates one chapter to each of the thirty
definitions, scrutinizing their idiosyncratic language games from close
range while focusing on their historical roots and concealed
philosophical sources of inspiration. Dan Geva's principal argument is
twofold: first, that each definition is an original ethical premise of
documentary; and second, that only the structured assemblage of the
entire set of definitions successfully depicts the true ethical nature
of documentary insofar as we agree to consider its philosophical history
as a reflective object of thought in a perpetual state of
being-self-defined: an ethics sui generis.