Formally fractured and yet gleefully alive and whole, E. E. Cummings's
groundbreaking modernist poetry expanded the boundaries of language. In
A Miscellany, originally released in a limited run in 1958, Cummings
lent his delightfully original voice to "a cluster of epigrams," a poem,
three speeches from an unfinished play, and forty-nine essays--most of
them previously written for or published in magazines, anthologies, or
art gallery catalogues. Seven years later, George J. Firmage--editor of
much of Cummings's work, including Complete Poems--broadened the scope
of this delightfully eclectic collection, adding seven more poems and
essays, and many of Cummings's unpublished line drawings.
Together, these pieces paint a distinctive portrait of Cummings's
eccentric, yet precise, genius. Like his poetry, Cummings's prose is
lively; often witty, biting, and offbeat, he is an intelligent observer
and critic of the modern. His essays explore everything from Cubism to
the circus, equally quick to analyze his poetic contemporaries and
satirize New York society. As Cummings wrote in his original foreword,
A Miscellany contains "a great deal of liveliness and nothing dead."
This remains true today, more than fifty years after its original
publication.