The renowned Russian writer Leo Tolstoy created a realistic masterpiece
in Anna Karenina (1878). In the same work, moreover, he utilized
allegory and symbol to an extent and at a level of sophistication
unknown in his other works. In Browning's study, the author identifies
and analyzes previously unnoticed or only briefly mentioned "linkages
and keystones" found in two highly developed clusters of symbols,
arising from Anna's momentous train ride and peasant nightmares, and of
allegories, rooted in Vronsky's disastrous steeplechase. Within this
labyrinth of symbol, allegory and structural patterning lies embedded
much of the novel's most significant meaning. This study will be of
particular interest to students and scholars of Russian literature,
Tolstoy, symbol, allegory, structuralism, and moral criticism.