In this volume, Hui Zou analyzes historical, architectural, visual,
literary, and philosophical perspectives on the Western-styled garden
that formed part of the great Yuanming Yuan complex in Beijing,
constructed during the Qing dynasty. Designed and built in the late
eighteenth century by Italian and French Jesuits, the garden described
in this book was a wonderland of multistoried buildings, fountains,
labyrinths, and geometrical hills. It even included an open-air theater.
Through detailed examination of historical literature and
representations, Zou analyzes the ways in which the Jesuits accommodated
their design within the Chinese cultural context. He shows how an
especially important element of their approach was the application of a
linear perspective-the "line-method"-to create the jing, the Chinese
concept of the bounded bright view of a garden scene. Hui Zou's book
demonstrates how Jesuit metaphysics fused with Chinese cosmology and
broadens our understanding of cultural and religious encounters in early
Chinese modernity. It presents an intriguing reflection on the
interaction between Western metaphysics and the poetical tradition of
Chinese culture. The volume will be of interest to scholars and students
in a variety of fields, including literature, philosophy, architecture,
landscape and urban studies, and East-West comparative cultural studies.