A History of Too Much begins with poems that address an Athens
undergoing the first ravages of political and financial crisis; the
inhabitants of these poems voice extravagant losses and the
unpredictable, are often torn between a desire "to flee, but flee
where?" The gods and goddesses will still be called upon, but Demeter is
nonplussed in her mourning, Alexander the Great drunk, and the statues
of antiquity exposed to the anarchies of spray-painted slogans and
thrown Molotovs. If history's excesses are exhausted they are also
reinvented in the idiom of the contemporary moment; here where "the
costumes were all off" and "the actors overplayed their parts," there is
a story to tell: "The light was almost gone, / the road now dark."