Why has opera transfixed and fascinated audiences for centuries? Carolyn
Abbate and Roger Parker answer this question in their "effervescent,
witty" (Die Welt, Germany) retelling of the history of opera,
examining its development, the musical and dramatic means by which it
communicates, and its role in society. Now with an expanded examination
of opera as an institution in the twenty-first century, this "lucid and
sweeping" (Boston Globe) narrative explores the tensions that have
sustained opera over four hundred years: between words and music,
character and singer, inattention and absorption. Abbate and Parker
argue that, though the genre's most popular and enduring works were
almost all written in a distant European past, opera continues to change
the viewer-- physically, emotionally, intellectually--with its enduring
power.