Written in a baroque, multilayered style tinted with both lyricism and
humor, this is the story of Fabrizio Notte, a filmmaker who makes
documentaries on hit men. Invited to show his latest piece at a film
festival in his home town of Montréal, he receives mixed reviews and
begins to question himself. The trip serves as a pretext for an
existential pilgrimage towards love and belonging, ultimately leading
him back through time, through the vast, moving landscape that is
memory, to his first love and ultimately, to himself.