In his much-anticipated follow-up to The Crown Ain't Worth Much, poet,
essayist, biographer, and music critic Hanif Abdurraqib has written a
book of poems about how one rebuilds oneself after a heartbreak, the
kind that renders them a different version of themselves than the one
they knew. It's a book about a mother's death, and admitting that
Michael Jordan pushed off, about forgiveness, and how none of the
author's black friends wanted to listen to Don't Stop Believin'. It's
about wrestling with histories, personal and shared. Abdurraqib uses
touchstones from the world outside--from Marvin Gaye to Nikola Tesla to
his neighbor's dogs--to create a mirror, inside of which every angle
presents a new possibility.