Blending levity and malaise, carnival and apocalypse, sudden death and
swarming vitality, the fatrasies and fatras are a small group of
"impossible" poems, written between 1250 and 1330 in Northern France. In
the 1920s, these poems caught the interest of André Breton and the other
Paris-based Surrealists, who published George Bataille's translations of
some of the fatrasies in La Révolution surréaliste no.6. More than any
other works of their time, the fatrasies and fatras created a new poetic
language, one that captures, as Bettina Full writes, "the fullness,
fleeting and mortal, of all human life." Often compared with avant-garde
poetry of the twentieth century, these small marvels from the medieval
world have never before been translated into English