Why is our world still understood through binary oppositions-East and
West, local and global, common and strange-that ought to have crumbled
with the Berlin Wall? What might literary responses to the events that
ushered in our era of globalization tell us about the rhetorical and
historical underpinnings of these dichotomies?
In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual
and multilateral approach to literary and cultural studies. He begins
with the entrance of China into multinational capitalism and the
appearance of the Parisian flâneur in the writings of a Chinese poet
exiled in Auckland, New Zealand. Moving among poetic examples in
Russian, Chinese, and English, he then traces a series of encounters
shaped by economic and geopolitical events from the Cultural Revolution,
perestroika, and the June 4 massacre to the collapse of the Soviet
Union, September 11, and the invasion of Iraq. In these encounters,
Edmond tracks a shared concern with strangeness through which poets
contested old binary oppositions as they reemerged in new, post-Cold War
forms.