This book should be seen as a method to help the artist to develop his
or her own way when trying to improvise chromatically. Through the
concepts and examples offered, the improvisor should be able to use this
material alongside already familiar tonal ideas. Specifically, the book
serves as a guide for organizing chromaticism into a coherent musical
statement meant to satisfy both the intellectual and emotional needs of
artistic creation. The reader will be introduced to more than one way of
conceiving chromatic lines and harmonies. There is nothing theoretically
complex or new in the text, it is the organization of the material as
well as many musical examples and transcriptions (Bach, Scriabin,
Coltrane, Shorter, Hancock, Beirach, Liebman a.o.) which should serve to
inspire musicians to expand their usual diatonic vocabulary. This book
also provides insight into the style of playing that David Liebman is
known for. In addition the book contains 100 assorted solo lines and 100
chord voicings. More from David Liebman at his homepage.