This book argues that 3D films are becoming more sophisticated in
utilising stereoscopic effects for storytelling purposes. Since Avatar
(2009), we have seen a 3D revival marked by its integration with new
digital technologies. With this book, the author goes beyond exploring
3D's spectacular graphics and considers how 3D can be used to enhance
visual storytelling. The chapters include visual comparisons between 2D
and 3D to highlight their respective narrative features; an examination
of the narrative tropes and techniques used by contemporary 3D
filmmakers; and a discussion of the narrative implications brought by
the coexistence of flatness and depth in 3D visuality. In demonstrating
3D cinematic aesthetics and storytelling, Yong Liu analyses popular
films such as Hugo (2011), Life of Pi (2012), Gravity (2013),
Star Trek Into Darkness (2013, and The Great Gatsby (2013). The book
is an investigation into contemporary forms of stereoscopic storytelling
derived from a unique, long-existing mode of cinematic illusions.