Numerous contemporary televisual productions revisit the past but direct
their energies towards history's non-events and anti-heroic
subjectivities. Debarchana Baruah offers a vocabulary to discuss these,
using Mad Men as primary case study and supplementing the analysis with
other examples from the US and around the world. She takes a
fundamentally interdisciplinary approach to studying film and
television, drawing from history, memory, and nostalgia discourses, and
layering them with theories of intertextuality, paratexts, and
actor-networks. The book's compositionist style invites discussion from
scholars of various fields, as well as those who are simply fans of
history or of Mad Men.